Ceri Richards Prints for Sale
Ceri Richards (1903-1971) was born near Swansea and was brought up in a highly cultured, working-class environment. His mother came from a family of craftsmen and his father was an employee at a tinplate foundry. Ceri and his brothers and sisters were taught to play the piano, and became familiar with the works of Bach and Handel. In later years, music would be an important stimulus to Richards's painting.
At Gowerton Intermediate School he drew constantly and won local competitions. When he left school to become apprenticed to a firm of electricians in Swansea, he devoted his evenings to studying engineering draughtsmanship at Swansea College of Technology and drawing at the Swansea College of Art (now part of Swansea Metropolitan University).
In 1921, at the age of 18, Richards enrolled full-time at the Swansea College of Art, then under the direction of William Grant Murray. During his time at the College he spent less time in painting than in drawing from classical casts and studying industrial design and graphics. The strongest impact on him during these years appears to have been the week's summer school in 1923, which he spent under the direction of Hugh Blaker at Gregynog Hall, the country house of Gwendoline and Margaret Davies, where he first saw the canvases of Renoir, Van Gogh, Monet, Cézanne, Corot and Daumier, the sculpture of Rodin and sheets of old-master and modern drawings. The experience confirmed him in his vocation and in the same year he applied for, and won, a scholarship to study in London at the Royal College of Art.
Afterwards Ceri Richards spent most of his life in London, apart from a period teaching art in Cardiff, where he was head of painting at Cardiff School of Art during World War II.
In 1929 he married Frances Clayton, a fellow artist.[3] They had two daughters - Rachel (born 1932) and Rhiannon (born 1945).
His work gradually moved towards surrealism after exposure to the work of Picasso and Kandinsky. He was also a talented musician, and music is a theme for much of his artwork. From 1959 onwards, he made prints for the Curwen Press. One of the high points of his career was the Venice Biennale of 1962, where he was a prizewinner.
Many of the works of Ceri Richards are in the Tate Britain collection. The Glynn Vivian Art Gallery in Swansea (where Richards' first solo exhibition took place in 1930) also holds a collection. Good examples of his work are also to be found in the gallery of the National Museum Cardiff and the Pallant House Gallery, Chichester.
He designed stained glass windows for Derby Cathedral (1964-5), and for the Blessed Sacrament Chapel of Liverpool Metropolitan Cathedral (1965).
At Gowerton Intermediate School he drew constantly and won local competitions. When he left school to become apprenticed to a firm of electricians in Swansea, he devoted his evenings to studying engineering draughtsmanship at Swansea College of Technology and drawing at the Swansea College of Art (now part of Swansea Metropolitan University).
In 1921, at the age of 18, Richards enrolled full-time at the Swansea College of Art, then under the direction of William Grant Murray. During his time at the College he spent less time in painting than in drawing from classical casts and studying industrial design and graphics. The strongest impact on him during these years appears to have been the week's summer school in 1923, which he spent under the direction of Hugh Blaker at Gregynog Hall, the country house of Gwendoline and Margaret Davies, where he first saw the canvases of Renoir, Van Gogh, Monet, Cézanne, Corot and Daumier, the sculpture of Rodin and sheets of old-master and modern drawings. The experience confirmed him in his vocation and in the same year he applied for, and won, a scholarship to study in London at the Royal College of Art.
Afterwards Ceri Richards spent most of his life in London, apart from a period teaching art in Cardiff, where he was head of painting at Cardiff School of Art during World War II.
In 1929 he married Frances Clayton, a fellow artist.[3] They had two daughters - Rachel (born 1932) and Rhiannon (born 1945).
His work gradually moved towards surrealism after exposure to the work of Picasso and Kandinsky. He was also a talented musician, and music is a theme for much of his artwork. From 1959 onwards, he made prints for the Curwen Press. One of the high points of his career was the Venice Biennale of 1962, where he was a prizewinner.
Many of the works of Ceri Richards are in the Tate Britain collection. The Glynn Vivian Art Gallery in Swansea (where Richards' first solo exhibition took place in 1930) also holds a collection. Good examples of his work are also to be found in the gallery of the National Museum Cardiff and the Pallant House Gallery, Chichester.
He designed stained glass windows for Derby Cathedral (1964-5), and for the Blessed Sacrament Chapel of Liverpool Metropolitan Cathedral (1965).
